Taking photographs at each step and during
the life of the project should be a must. This records your methodology
but, most importantly, serves as a record of the changes made
to the yard. Make sure you record the graveyard in the state that
you initially find it. If you are lucky, you will find an earlier
record of the graveyard and can make comparisons (we haven't been
so lucky). This photographic record could be very useful to researchers
and caretakers who come after you. A videographic record will
be helpful, too, but probably for a shorter time span. We made
a photographic diary of our graveyard restoration and it is posted
on our website.
Maybe the most important things to photograph are the markers.
As each grave is recorded on the form outlined below, a photograph
should be made as part of the grave documentation. This should
include an overall shot of the grave, including footer, and a
closeup of the stone marker with inscription (if legible) and
motif.
Photographing markers well is more difficult than it sounds. We
will give some brief tips. For a more exhaustive discussion of
techniques, see the pamphlet "Making Photographic Records
of Gravestones" (available from The Association for Gravestone
Studies). We recommend using a 35mm single lens reflex camera.
For closeup work, this eliminates the parallax problem with less
expensive viewfinder 35mm models. Often they also have long focal
lengths that lead to fuzzy photos. Fewer people are using 35mm
SLR cameras now that digital photography is coming of age. However,
just as an adolescent is coming of age but not fully mature, so
is consumer digital photography when it comes to resolution of
detail. At least that is true for the low and moderate cost digital
cameras most of us are using for computer graphics. We also use
black and white film for its greater light sensitivity and generally
better resolution.
Lighting is the trickiest part of photographing markers. The sun
is seldom in the right place and the stones can't be repositioned
as people can be. The light generally needs to be coming from
directly overhead (no shadows) and to one side, raking across
the stone. This will make the often shallow engraving show up
in the print. Perpendicular lighting, such as a flash, makes the
engraving harder to read. Backlighting (from behind) darkens the
front of the stone. Directing the light is most often accomplished
by reflection with a mirror. If your graveyard is a short easy
walk from the bus, with no stones to trip over, take a mirror
along. A round 12-18 inch diameter mirror should do fine. However,
our graveyard is a hilly rocky one mile hike. A mirror is out
of the question. An alternative is a portable vinyl reflector.
We use a 32 inch diameter reflector that folds up in a cover about
the size of a large dinner plate. It is available from Adorama
for about $45.
|
|
|
|
Photographic Record |
|
|
|